论诗学和诗性的创造

On Poetics and the Creation of Poeticalness

诗学一词起源于亚里士多德的《诗学》 ,在鲍姆加通之后 ,诗学研究的范畴在很大程度上被美学和文艺批评所取代。近年来 ,传统的“诗学”概念广泛地应用于文艺研究和批评领域 ,在中国有取代“文艺美学”之势。在“诗学”的研究中 ,在当代的学术背景下考察知识和知识论的起源非常重要。如果不能澄清知识和相关概论 ,研究是无意义的。不存在一种本体的 ,先验的诗学 ,也不存在一种本体的 ,先验的诗性 ,只存在具体的、充满偶然性的诗性创造以及关于诗性和诗性创造的知识论意义上的言说系统。

The word 'poetics' comes from Aristotle's Poetics and since Baumgarten's Aesthetik its study has largely been replaced by aesthetics and literary criticism. In recent years, the traditional concept of 'poetics' has been used widely in literary study and criticism in China and it seems to have the possibility of replacing 'literary aesthetics'. In the study of 'poetics', it is important to study the origins of knowledge and epistemology against the relevant academic backgrounds. It will be meaningless if the concept of knowledge and other related concepts remain un-clarified. There does not exist an ontological or a priori poetics or poeticalness but a concrete and contingent creation of poeticalness as well as the discourse system in terms of epistemology.