摘要
中国水墨画是一个相对独立但并不封闭的艺术体系 ,对其发展趋势众说纷纭 ,笔者在充分肯定其独立性与独特审美价值的同时 ,承认它也是可以与其他艺术体系交流、对话并能吸收其他艺术的长处来丰富自身的。从笔墨结构与情趣有恒定与变化两方面入手 ,论述各派观点存在的合理性与可能性 ;从笔墨与色彩关系问题上论述“重建色彩系统”这种观点的合理性 ,认为多元的审美观产生多元的价值观 。
Chinese wash is a relatively independent but not closed ant. Opinions very on the trend of its development. This paper fully approves its independent and unique aesthetic value, and at the same time points out it can also exchange with other kinds of ant absorb their merits to enrich itself. Based on the structure of the writing s and the variation and constancy of interest, the paper demonstrates that various opinions exist in a reasonable and possible way; Based on the relationship between writings and color, the paper argues that the opinion of 'reconstruction of color system' also exists in a reasonable way. As multiple aesthetic standards inevitably produce value standards, Chinese painting should naturally have a wide scope for development.
出处
《郧阳师范高等专科学校学报》
2003年第6期104-106,共3页
Journal of Yunyang Teachers College
关键词
文人水墨画
中国画
中国水墨画
笔墨
传统水墨
水墨画体系
wash painting of literati
Chinese painting
Chinese wash painting
pen and ink
traditional wash
wash system