摘要
多层面、多角度地阐述了从文学创作到接受这一极其复杂过程的内蕴。从创作角度,分析了《长恨歌》的创作基础,描述和揭示作者从事创作内在机制的活动和采用的构思方式,认为白居易的《长恨歌》以唐明皇和杨贵妃的故事传说为题材,同时受中唐通俗文学的影响,站在平民的立场上,用"个别"显示"一般"的方法,在对李杨爱情悲剧进行歌颂哀叹的同时,显示出封建社会广大男女爱而不能的社会悲剧。因而,使《长恨歌》在一定程度上脱离历史原貌,成为一篇伤感的爱情咏叹调。
On the basis of different levels and aspects, the paper discusses the implication of a complicated process from literature creation to its acceptance. From the aspect of creation, the paper analyzes the creation basis of 'Song of Eternal Lament', describes and reveals activities of intrinsic mechanism and thinking manner when the author was writing with a conclusion that Bai Juyi's 'Song of Eternal Lament', based on the legend of Emperor Tang Minghuang and the highest-ranking imperial concubine Mrs Yang, was affected by light literature in Middle Tang Dynasty. It, in a position of the common people, used 'individual case' to denote 'common case', and revealed the social tragedy that young people falling into love were forbidden to give up in the feudal society while magnifying and bewailing the tragedy of Emperor Tang Minghuang and the highest-ranking imperial concubine Mrs Yang. So to some extend 'Song of Eternal Lament' broke away from historical natural form and became a sentimental love aria.
出处
《连云港职业技术学院学报》
2004年第1期35-37,共3页
Journal of Lianyungang Technical College