摘要
艺术史上,当其它绘画艺术门类面临影像技术的冲击而完成了从艺术观念到表现形式的变革,素描却与这场变革擦身而过;新时期以来,现当代艺术像潮水一样涌入,我国学院派素描显示了其不具备创造与发展风格的先天局限。学院派素描逐步成为美术院校内部的风景。它走出学院砖墙的出路在于接受现代艺术精神的指导,从而与之相谐。
Faced up with challenges of photographic technology, many categories of painting have undergone changes in views and forms, while the sketch is still kept on the old track. Because of its limitations in style and creation, the sketch is gradually getting convined to schools of arts. To get out of the schools, it should absorb morden spirits of arts and adapt itself to the development of morden arts.
出处
《黄冈师范学院学报》
2004年第2期39-41,共3页
Journal of Huanggang Normal University