1Mark Edmundson, Literature against Philosophy, Plato to Derrida : A Defence of Poetry, Cambridge University Press, 1996, p. 1.
2Jacques Derrida, The Post Card, From Socrates to Freud and Beyond, trans. Alan Bass, Chicago & London: The University of Chicago Press, 1987, p.197.
3Arthur Schopenhauer, Der handschrifiliche Nachlass, hrsg. von Arthur Huebscher, Muenchen1985, Bandl, S.19.
4Wolfgang lser, The Fictive and the Imaginary, Charting Literary Anthropology, Baltimore and London: The Johns Hopkins University Press, 1993, "Preface," p.xvi. P.296. PP,298 - 299.
5V.Shklovsky, "Art as Technlque," in: Russian Formalist Criticism, Four Essays, Lincoln: The University of NebraskaPress, 1965, p, 12.
6"Kunst and Nachahmung," (1967) in: Asthetik and Poetik 1, Geosammelte Werke, Bd. 8, Tuebingen: J.C.B.Mohr (Paul Sieheck) .1999.S.32.
7Alan Bass, "Translator's Introduction: L before K," p.X ii , in: Jacques Derrida, The Post Card, From Socrates to Freud and Beyond.
8"Zeit and Sein," in: Martin Heidegger, Zur Sanche des Denkens, 3. auf, Tuebingen: Niemeyer 1988, S.8-9.
9Jaques Derrida, "le fateur de la verite," first published in Poetique 21 (1975), and now included in: Jacques. Derrida, The Post Card, From Socrates to Freud and Beyond, p.444.pp. 123 - 124.
10Christopher Fynsk, "Derrida and Philosophy: Acts of Fngagement," in: Jacques Derrida and the Humanities : A Critical Reader, ed. Tom Cohen, Cambridge University Press.2001. p. 155.
二级参考文献15
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