摘要
周扬的文艺观和姚文元的文艺观有一脉相承性:一个代表着"左"的阶段,一个代表着"极左"的阶段。二者都是大环境的产物。但周扬的文艺思想在五、六十年代有所变化。以姚文元文艺观为参照,可以考察周扬五、六十年代文艺思想的流变,以客观评价周扬在现当代文艺理论史上的地位。
ZHOU Yang and YAO Wen-yuan's thoughts in literature and art come down in one continuous line: one represents the stage of the 'Left', one the ultra-'Left'. Both are the result of social environment. But ZHOU Yang's thoughts in literature and art has many changes in the 1950's and 1960's. Comparative to YAO Wen-yuan's thoughts in literature and art, we may study ZHOU Yang's changes in the 1950's and 1960's, and evaluate ZHOU Yang's status in the history of modern theory of literature and art objectively.
出处
《忻州师范学院学报》
2004年第2期12-16,共5页
Journal of Xinzhou Teachers University
关键词
“教科书”
“照相馆”
周扬
姚文元
文艺观
文艺批评
ZHOU Yang
YAO Wen-yuan
the textbook
the photo studio
thoughts in literature and art