摘要
海派文学研究走过了近一个世纪的历程,20世纪三四十年代的海派文学研究多是一般的社会性政治性谴责。新时期以后,海派文学研究从一般的社会谴责转向审美分析,出现了一批客观中肯的研究文章。但这时多是对海派作家作品的个案分析。只有到了80年代末和90年代,才出现一批综合论述海派文学的专著,并深刻揭示出海派文学的现代品质,从而为海派文学正名。这次研究视角的转移,使海派文学呈现出真实鲜活的面目。
Studying the course of passing by last one century in literature of Shanghai′s style, literature of Shanghai′s style for three forty times of the 20th century was studied and mostly condemned by the general social political na ture. After new period, literature of Shanghai′s style is studied and condemns from the general society that turns to aesthetic analysis, A batch of objective and apropos research articles have appeared. But mostly the case analysis to the works of writer of Shanghai′s style at this moment. Has only reached the end o f the eighties and the 1990s, just a batch of monographs describing literature o f Shanghai′s style synthetically appeared, and announce deeply that publishes t he modern quality of literature of Shanghai′s style, thus rectify name for lite rature of Shanghai′s style. The transformation of the visual angle of this rese arch, make literature of Shanghai′s style demonstrate the true lifelike appeara nce.
出处
《涪陵师范学院学报》
2004年第3期6-12,共7页
JOurnal of Fuling Teachers College
关键词
海派文学
视角转移
社会谴责
审美分析
literature of Shanghai′s style
the visual angle is shifted
the s ociety condemns
aesthetic analysis