《白鹿原》中白嘉轩形象对儒家文化的阐释

Explanation for Confucianism of visualized Bai Jiaxuan in“Bailuyuan”

白嘉轩是陈忠实在《白鹿原》中塑造的一位儒家道德传统的忠实实践者,是一个极为复杂的审美创造的典型。白嘉轩是儒家文化渗透到旧乡村伦理道德的化身。他身上既有我们民族非常优秀的文化品格,也有着无法摆脱的心灵缺陷。面对艰难世事,面对生存的挑战,白嘉轩内心无法平衡理想与现实之间的矛盾,生存的强烈欲望必然战胜道德的教义,从而显现出人的本我面目。生存状况的无奈使他不能成为独立于环境之外的理想范畴的仁义圣人。儒家文化使他身上交织着美与丑、善与恶,他既美丽又丑陋,既崇高又渺小。

Bai Jiaxuan who was sculptured by Chen Zhongshi in his book of 'Bailuyuan' was a believer of Confucinaism and a complicated model for aesthetic judgment. Bai Jiaxuan was an imagination for seeping the Confucianism into village morality. Bai Jiaxuan had both the character of excellent Chinese culture and unavoidable soul defects. Confronted with the hardness and challenge, he was unable to balance his ideality and reality; the appetency of survival inevitably over- came the tenet of morality, which revealed the egotistical character of human. Survival circumstance made him cannot be- come an independent sadhu. Confucian culture made a combination of virtue and malconduct, goodness and badness in his moral character.