明清小说评点中的“另类”——冯镇峦、但明伦等对《聊斋志异》艺术规律的发掘

A Different Approach to Commenting the Novels in the Ming & Qing Dynasties ——Explorations of the Artistic Laws of Strange Stories From A Chinese Studio by Feng Zhenluan, Dan Minglun, etc.

冯镇峦、但明伦等人对《聊斋志异》的评点,在小说理论史上第一次肯定了文言小说集体例驳杂的合理性及其审美意义;指出了《聊斋》故事的虚构性、志异的深层原因以及取得艺术真实感的主要方法;总结了《聊斋》鬼狐形象兼具"人事之伦次"和"百物之性情"的复合统一的特点及其塑造方式、审美价值;并对《聊斋》不同于白话小说的一些独特的"文法"进行了分析和命名。

The comments on Strange Stories From A Chinese Studio by Feng Zhenluan, Dan Minglun, etc. have the following characteristics: the rationality of stylistic heterogeneity and aesthetic significance of classical-style novels are first appreciated in the history of novelistic theories; the fictionality of the stories, the root causes of writing strange stories and the major means of achieving artistic trueness are discussed; the characteristics of ghost and fox images, their sculpturing ways, and their aesthetic values are summarized; the unique grammatical constructions used in such novels are also analyzed and named.