《骆驼祥子》:民间视角下的启蒙悲剧

A Camel of Xiangzi:An Enlightening Tragedy from a Folk View

通过文本细读,对蕴涵在《骆驼祥子》文本中的民间和启蒙的关系以及老舍的创作心理进行了探讨。从象征的意义上说,《骆驼祥子》有一个隐形的结构,即一个人的堕落之路,而在祥子与命运之网的搏斗中,虎妞和阮明先后充当了网上的诱惑;在作品显形层面上多层次地解读虎妞形象、祥子与阮明的关系,从民间形态和人性真实的意义上凸现了虎妞作为艺术典型的丰富内涵和不朽魅力。《骆驼祥子》后半部分在结构上留下了遗憾:老舍本身作为市民阶层的一员,在描述祥子对政治之网的冲击时超出了他的能力,尽管他对市民有着尖锐的批判,却不可能在精神上给以更高的提升。

This paper makes an exploration of the relationship between the folk and the enlightening and Lao She the author's psychlogy of writing , which underlines the text of A Camel of Xiangzi. Symbolically, the novel has an implicit structure, namely, a man's path of downfall. In Xiangzi's struggle against the fate, Hunu and Ruan Ming acted only as the roles of lure of the web respectively. And a hierarchic interpretation of the image of Hunu in the novel's explicit structure reveals the rich implication and immortal charm of Hunu as an artistic image both in the folk form and in the real sense of human nature. However, the novel leaves something to be desirable in the later part. As a member of townpeople, Lao She goes beyond his limitations when he describes Xiangzi's charge at the political web. Although he is bitterly critical about the townpeople, he is not likely to create a distillation of spirit.