刘克庄“本色”诗论

Liu Kezhuang's Poetics of "True Quality

南宋后期江湖派诗人刘克庄的"本色"诗论是针对当时诗坛的具体情况而提出的一个重要命题。其"本色"论既有对理学家之诗和江西派末流之诗的针砭,又有对当时诗歌流弊的理论拯救;既有对传统儒家诗教的接受和继承,又对当时的诗歌发展提出了"有情性、尚比兴、益世教、重声律"的规范性要求,进一步丰富了"本色"诗论的内涵。

An important representative of the river-and-lake school in the late South Song Dynasty, Liu Kezhuang introduced his view of 'true quality' as an essential proposition to the actual situation in the world of poetry at that time. His theory embodied points critical of rationalistic poetry and the late Jiangxi school poetry and healing remedies to some mispractices in poem writing. Liu Kezhuang accepted and succeeded the traditional Confucian instruction in poetry and established the maxim of 'emotiveness, symbolicity, constructiveness and prosodicity' for the development of poem writing. His views and pratices enriched the content of the poetic theory of 'true quality'.