摘要
《金瓶梅》当年的横空出世引发文坛震撼,对于它的美学思考仍在继续。笔者认为它只是一部充满悲剧性因素的末世哀书,并非严格意义上的悲剧,无论是情节还是人物都是于悲剧的悖逆。
Jin Ping Mei made a quake in literature when it appeared in the world.This quake will continue according to aesthetics.This paper believes that it is only a grieved book,although filled with tragic factors, not a tragedy in the strict sense. Both plot and characterization don't accord with tragedy definition.
出处
《华北水利水电学院学报（社会科学版）》
2004年第1期39-41,共3页
Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)
