摘要
唐代是中国宫廷绘画发展的第一个高峰期。其间名家辈出,名作累累。以往美术史界对其制度与机构的研究甚少。本文首次对唐代宫廷绘画的制度与机构作了较全面的介绍与分析。
The Tang Dynasty represents the first high point in the development of Chinese palace painting. Inthat period a generation of famous artists emerged and they produced many master works. To date art historianshave conducted little research on the system and the organisations that supported these artists, and this paperis the first attempt to provide a relatively complete analytical introduction to the Tang system and organisationsengaged in palace painting.
出处
《故宫博物院院刊》
北大核心
2004年第3期6-13,共8页
Palace Museum Journal
关键词
隋朝
唐朝
宫廷绘画
绘画机构
少府
左尚署
集贤殿书院
翰林院
Shaofu[-jian] (Directorate of Imperial Arts and Crafts)
Zuoshangshu (Let Service Office in theDirectorate of Imperial Arts and Crafts
painting
Jixian-dian Shuyuan (Academy of Scholarly Worthies)
HanlinYuan (Hanlin Academy)
Hanlin Yuan gong