摘要
海德格尔美学在存在维度上标志着西方现代美学的完成,而在语言维度上又标志着西方后现代美学的开始。海氏美学以存在为本体,来消解认识论美学分裂的人性,这启示人们未来美学必须以完整的人的存在,即以人的生活存在为本体。
Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of post-modern aesthetics from language. He looks on being as Noumenon to save human nature divided by epistemological aesthetics, which illuminates that the whole existence of human, ie, man's social life existence, must be the being of future aesthetics.
出处
《北京航空航天大学学报（社会科学版）》
2004年第2期1-5,共5页
Journal of Beijing University of Aeronautics and Astronautics：Social Sciences edition Edition
关键词
存在论美学
语言释义学美学
生活存在
ontological aesthetics
hermeneutic aesthetics
social life existence
