摘要
人面鱼纹作为半坡人为传达某个涵义而留下的符号,反映了一定的审美文化因素在远古文化土壤里的萌芽与发展,成为中华先人自我意识,创造意识,创造意识与人之美丽形象的象征。
Man's face-like grains, one of the symbols to convey some connotations by Banpo people, reflected the embryonic stage and the development stage of some cultural factors in remote antiquity. It has become the symbol of the Chinese ancestors'self-awareness, creative consciousness, and image of human beauty.
出处
《无锡商业职业技术学院学报》
2004年第2期73-74,共2页
Journal of Wuxi Vocational Institute of Commerce
关键词
自然崇拜
生殖崇拜
图腾崇拜
传达与交流
nature worship
genitals worship
totem worship
communication and exchange
