论周作人作品中审美现代性

On the Aesthetic Modernity in Zhou Zuoren's Works

20世纪 ,中国文学的现代转型 ,意味着一种更具包容性新文学史范畴的形成。审美现代性在文学现代转型这场大的文艺学超越中的意义过去是被忽视的 ,但正如巴赫金用“众声哗然”所表现的那样 ,审美现代性这种文学观在 2 0世纪“文学革命”和“文学现代转型”中占据着重要的地位。其中周作人是吸收、运用和发展这种文学观的先驱之一。理解和研究审美现代性在其作品中呈现出运用角度的多样性、阐述和诠释的深刻性以及目的效果定位的实践性的三大特点 。

The modern transformation of Chinese literature in the 20th century has brought about a new literary category with more inclusiveness. But the significance of the aesthetic modernity in the large-scale literary transcendence of the modern literary transformation was neglected in the past. Just as what Bakhetine described as ”polyphonic sounds” in his works, the aesthetic modernity has played a very important role in the ”literature revolution ” and ”modern literary transformation” of 20th century. In this aspect, Zhou Zuoren is one of the forerunners who absorbed, applied and developed this kind of literary concept. It is advisable to understand and study the following three features of the aesthetic modernity revealed in his works: the diversity of his perspectives, profundity of his elaboration and interpretation, and practicality of his goal-effect orientation.