摘要
中国自古就有生殖崇拜的文化传统。《自鹿原》是以生殖崇拜为审美主线,围绕着生殖崇拜的心理纽结作用,使看似没有贯通始终的人物、事件线索的文本,在读者阅读过程中转换成紧密缝连的三个派系、两个层面、古今相贯、生死相依的审美内结构。
There has been a cultural tradition of genitals worship since ancient China. 'Bai Luyuan'takes genitals worship as its main clue of aesthetics, centering around the psychological kink of genitals worship. Seemingly the text has no impenetrate character or event, but it converts into the internal structure with three cliques and two dimensions closely structured, ancient and modern impenetrated, and life and death interdependended.
出处
《新疆大学学报(社会科学版)》
北大核心
2004年第2期117-120,共4页
Journal of Xinjiang University(Social Science Edition)