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试论海明威创作中的两性视角

On the Bi-gender Visual Angle in Hemingway's writing
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摘要 美国著名作家海明威以其含蓄简约的“冰山文体”、独特的叙事风格,在他的作品中的树造了一大批硬汉的形象,深受世人好评。但仔细分析他的作品,我们可以发现海明威在他充满男子汉气质的男性视角中又隐约地显现出超越男性本身的女性意识。本文从海明威的人生经历和情感历程入手,分析他的独特的两性视角的形成。 The great American writer Ernest Hemingway is highly evaluated by the readers over the world for his implied, concise and iceberg theory, the unique narrating style and lots of heroes. However, if we study his works carefully, we can also find out some woman consciousness, which surpassed his male gender from his male visual angle. The essay will analyze the formation of his unique bi-gender visual angle from his life and emotion experience.
作者 卢普庭
机构地区 南昌陆军学院
出处 《江西科技师范学院学报》 2004年第3期81-83,68,共4页 Journal of Nanchang Vocational & Technical Techers' College
关键词 海明威 美国 作家 女性意识 人生经历 情感历程 男性 Hemingway life experience emotion bi-gender visual from life and emotion experience emotion vision angle of bi-gender formation
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  • 1于冬云.论海明威的创作及文化价值[J].鲁东大学学报(哲学社会科学版),1994,17(1):89-92. 被引量:1
  • 2[1]Edmund Wilson, The Wound and the Bow: Seven Studies in Literature [M]. Boston: Parrar Straus Cirux, 1978.
  • 3[3]Judith Fetterly ,The Resisting Reader: A Feminist Approach to American Fiction[M]. Bloomington: Un iverisity Press,1981.
  • 4[4]Alan Holder, "The Other Hemingway," Twentieth-Century Literature, 9, (1963).
  • 5[5]Naom M. Grant," The Role of Women in Fiction of Ernest Hemingway," (Ph. D. diss. ), University of Denver, 1968.
  • 6[6]Brain Harding, "Ernest Hemingway: Men With, or Without, Women," American Declarations of Love, ed. , Ann Massa, London: Macmillan Education Ltd. , 1990.
  • 7[7]Ernest Hemingway, By-line: Selected Articles and Dispatches of Four Decades, edited by William while, New York:Scribner's, 1967.
  • 8[8]Ernest Hemingway, "The Art of short story," in Joseph M . Flora, Ernest Hemingway: A Study of the Short Fiction,Boston: Twayne Publishers, 1989.
  • 9[9]Paul Smith, New Essays on Hemingway's Short Fiction, Cambridge University Press, 1998.
  • 10[10]Bernice Kert, The Hemingway Women, New York: Norton&co, 1983.

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