摘要
“悖论”与“反讽”形成《废墟》的诗意化散文结构,呈现出一定的文化批判和历史反思的意义。然而,在艺术本性上,《废墟》属于碎片化和格言式的写作,缺乏“和谐整体”的美感,呈现一定的理性负重和思维暴力,因此造成在审美接受上的不平等对话,所以,它很难成为一种经典意义的艺术文本。
揚aradox?and 搃rony?characterize the Debris as a poetic prose with a sense of cultural criticism and historical reflection .However concerning the artistic nature, it is a piece of fragmental writing full of mottoes, in short of the beauty of 揺ntirety and harmony? and the ration overweight and thought violence result in the unequal dialogue in the aesthetic acceptance, which resultantly blocks the debris to be a classic of artistic texts.
出处
《湖南城市学院学报》
2004年第3期34-36,共3页
Journal of Hunan City Univeristy
关键词
悖论
反讽
格言
审美接受
paradox
irony
motto
aesthetic acceptance