论中国诗歌的补亡精神——以《文选》补亡诗为例

On the Addendum Spirit of China Poetry ——A Case Study on Addendum Selections of Poetry

束皙的《补亡诗》被列为《文选》诗众体之首,具有明补《诗经》之佚失、暗补填笙乐之歌辞两种意味。它既是西晋尚古、拟古等文学复古思潮的反映,又与当时因贵古而托古、补古的风气相关。梁代中期的文学复古思潮、尚古重源的儒家文体流变观以及《文选》的选录标准等原因,使得萧统将束氏《补亡诗》置于《选》诗之首,这就为后世的诗坛树立了一个典范。无论从狭义的角度还是从广义的角度,据事虚拟式补亡诗多有出现。这种补亡传统的发扬为小说、戏剧的发展作了铺垫。

Suxi's Addendum poems was listed above all the Wenxuan poems.They were written not only to mend the lost Shijing poem,but also to fill the words of the songs.The phenomena was both the reflection of the renaissance thoughts during western Jin dynasty (265A.D.-317 A.D.) and the result from the general mood of addendum.Mentally,the Addendum poems differed from the common imitated poems and from the extempore verses written by common poets.They were 'reality among fabrication' Xiaotong listed Suxi's Addendum poems above all the Wenxuan poems because of the renaissance thoughts during liang dynasty (502A.D.-557A.D.),the Confucian style view and the excerption standard of Wenxuan.Thus the model had been built up for the latter Pamassuus.More and more addendum poems fabricated according to affairs were written whether from narrow sense or from broad sense.It was a foundation for novel and drama that the addendum tradition was carried forward.