摘要
《红楼梦》中出现了一群栩栩如生、呼之欲出的妒妇形象:王熙凤、夏金桂、赵姨娘……由"妒"引发的一系列矛盾冲突贯穿于红楼女性斗争的始末,作者在这些人物的身上赋予"妒"以情感天性之外的更深层寓义,同时也充分地再现了中国古代妻妾制度这种畸型婚姻形式的罪恶。
The author vividly portrayed the images of envious wives in Dream of Red Mansion. A series of conficts runs through their lives. A further meaning is given to these images besides their nature of emotion,which fully reoccurs the evil of the abnormal marriage style in ancient China.
出处
《丽水师范专科学校学报》
2004年第3期39-42,共4页
Journal of Lishui Teachers College
