唐代绘画消费群体主体成份的变迁

About the Change of Consumers of Paintings in the Tang Dynasty

唐代绘画史研究常忽略绘画消费群体的考察 ,认为绘画消费群体是唐代绘画史研究的第三者 ,无关轻重。文章认为 ,初唐至盛唐绘画消费群体从皇室转向文人士大夫阶层的历史性转化 ,以及转化过程中所凸现的层出不穷的消费需求 ,是唐代绘画焕然求备、瑰丽灿烂的前提条件。探讨绘画消费者主体成份的演变 。

So far in the study of the history of painting of the Tang, consumers of paintings have been excluded as unimportant in the study. This article analyses the shift of painting consumers from the imperial household in the early Tang to the literati and officialdom in the mid Tang and the impact on the development of painting of the Tang Dynasty.