西方钢琴音乐作品的二元性及其表现形式

The Duality of Western Piano Music Production and Its Expressional Form

本文从音乐作品存在方式的角度探讨了西方钢琴音乐作品的二元性,即形式-自律论和他律论。以美学原则求得钢琴演奏中的音乐观念问题,试图找出这种学术研究的哲学依据,从而对钢琴音乐关于美学本质有概括性的认识,以便了解钢琴文化演变中的美学思想,最终运用于清晰把握演奏的实质,使之达到感性经验与理性分析的融合。

This paper presents the duality of western piano music production from the view of the existent fashion of music production――Autonomie and Heteronomie. The author tries to find the philosophical base of this study and understand the aesthetic essence of piano music. This paper aims at making people understand the aesthetic concept in the evolvement of piano civilization, grasp the substance on playing and combine experiences and logics.