摘要
乐府是一个动态的概念,其延续的时间从汉至唐,此后,这一名称虽成为音乐文学的通称,也沿用于词曲,但从乐府研究的角度而言,并不被认同。即使是唐代的乐府,学界在研究中仍然有着不同的认识,叙录过程中并不仅以汉魏乐府为观照点,更留心于唐代乐府在乐府中的地位与存续情况。
Yuefu, a literature form that persisted from the Han dynasty to the Tan dynasty, is an active conception. Afterwards, though it has become one universal name of a musical literature and has also been used in ancient Chinese poetry and songs, it is, from the perspective of Yuefu study, not acknowledged. Even the Yuefu in the Tan dynasty, different views of it existed in the field of academic research. In the process of recording the history of the Yuefu, the Yuefu in Han and Wei dynasty are not considered as materials for reference, instead, more concerns are given to the position of the Yuefu in the Tan dynasty in the history of the Yuefu and how it was continued.
出处
《湘南学院学报》
2004年第1期42-45,共4页
Journal of Xiangnan University