摘要
郭昭第《审美形态学》将现实美、感觉美和艺术美作为审美形态分别置于人类审美活动的前审美、审美和后审美三个阶段,并对其审美性质、类型特征、创造法则和基本范式进行了全面、深入和系统的阐述,成功修正、整合和超越了传统美学本质论、学科论和形态论乃至审美形态学理论构想,创造性地建构了真正具有全方位视野和完整体系的审美形态学理论。
In his Aesthetic Morphology,Guo Zhaodi puts the beauty of reality,sensations and art into mankind's aesthetic activities which are divided into three stages:the front,the middle and the back.Meanwhile he elaborates on is nature,features,creative rules and basic models thoroughly,deeply and systematically.Thus he successfully revises traditional aesthetics' theories of essence,subjects,forms and even the theoretical idea of aesthetic morphology;he successfully unifies them.He successfully surpasses them.As a result,the theory of aesthetic morpholgy has been creatively constructed by the author which genuinely contains comphrehensive field of view and complete system.
