1J. B. Harmer, Victory in Limbo: Imagism, 1908 - 1917. London: Secker & Warburg, 1975, p. 1, p. 6d p. 136.
2Peter Jones, Imagist Poetry. Harmondsworth: Penguin, 1972, p. 13, p. 129, pp. 130 -131, p. 130.
3Giambattista Vico, The New Science. Trans. Thomas Goddard Bergin and Max Harold Fisch. N. Y. : Doubleday,1961, pp. 32-51.
4Edward Said, Orientalism. London: Routledge & K.Paul, 1978, p. 2.
5Raymond Dawson, The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization. London: Oxford UP. , 1967, p. 7, p. 70.
6Ernest Fenollosa, The Chinese Written Character as a Medium for Poetry. Ed. Ezra Pound. San Francisco: City Lights Books, 1956, p. 4, p. 4, p. 4, p. 22.
7Ernest Fenollosa, " The Coming Fusion of East and West. " Harper's New Monthly Magazine. 98 Dec. 1898,p. 116.
8T. E. Hulme, Speculations : Essays on Humanism and the Philosophy of Art Speculations. Ed. Herbert Read. London: Routledge & Kegan Paul, 1936, p. 122.
9Charles O. Hartman, Free Verse: An Essay on Prosody.Princeton, N. J. : Princeton University Press, 1980,p. 13.
10Ezra Pound, Gaudier-Brzeska: A Memoir. New York, New Directions, 1961, p. 97, pp. 116 - 117, pp.S6 - 89.
