“摩灯”的力量——英格玛·伯格曼电影剧作主题论

POWER OF"THE MAGIC LANTERN" ——On the Theme of Igmar Bergman's Scenario

作为20世纪现代电影最杰出的编导———英格玛·伯格曼除了一生孜孜不倦地迷恋于上帝、生、死及爱恋这些生命终极意义命题的探讨外,对影像艺术自身的探索也成为他钟爱的主题。剧作《魔术师》以心理学为视点揭示了艺术的假定性和欺骗性。《假面》则探索了艺术创造、艺术品与艺术接受之间的依赖性、互补性关系。而《芳妮与亚历山大》则更多地从艺术社会学着眼,表达了伯格曼对宗教与艺术的两种情感反映。

As one of the most outstanding scenarist-director in the 20^(th) century,Igmar Bergman clung madly to not only the theme and the probing of the ultimate meaning of God,life and death,but also the film art itself. The play 'The Magician' reveals the hypothesis of art and its fraudulent nature based on psychology.The play'Persona'prodes into the relationship of dependence and complementarity between artistic creation,artistic product and the acceptance of art,while the play'Documentary Fanny and Alexander'expresses Bergmar's different emotion to art and religion from artistic sociology.