摘要
性别差异中的死亡叙事 ,从表面上看 ,表现在意义附着、死亡观念和审美趣味上的差异性 ,但从根本上看 ,这种差异性仍然是由男权话语给出的规定 ,与传统的男权话语相比 ,只不过以往由男性在说 ,而今由女性自己在说。这说明女性的主体意识及其女性文学的主体意识都还只是初见端倪 ,并未形成格局。所以 ,从审美死亡 ,其实也是从审美人生的角度看 ,女性及其女性文学的主体意识都还亟待挖掘和建构。
Apparently, the aesthetic death in sexual difference shows the differences in meaning adhesisn, death ideas and aesthetic interest.But basically, they still are controlled by men's remarks. Compared to the traditional ones, women speak it out themselves now while men always did before. It shows that the initial symptoms of the subject consciousness as female literature has only surfaced,but not formed steadily yet. So from aesthetic death, in effect from aesthetic life, female and the subject consciousness of the literature still need developing and building.
出处
《天津师范大学学报(社会科学版)》
2004年第3期70-74,共5页
Journal of Tianjin Normal University(Social Science)
关键词
性别差异
死亡叙事
女性文学
主体意识
sexual difference
aesthetic death
female literature
the subject consciousness