摘要
吴炫提出的由形象、个象和独象所构成的形象金字塔在考察作品的艺术性方面具有开拓意义。比起丹纳的艺术价值论来,其思路的转换尤其是对经典的关注不仅为理论与批评提供了新的参考,而且也为中国经典的创造进行了积极的学理探讨。但是,形象金字塔塔尖的完成显然又需要其它方面的因素,而且,艺术性的丰富内容也不是形象金字塔所能完全包括的。
The imaging pyramid set forth by Wu Xuan, consisting of image, individual image and unique image, has an explored significance in the aspect of researching the art value of works. Comparing with Dana's theory of art value, Wu Xuan's thought transition, especial the concern for classics not only provided a new reference for critic and theory but also carried out a active academic theory discuss on creation of Chinese classics. However, the compliment of the top of image pyramid obviously cannot be lack of other factors and the rich contents of art also not be concluded entirely in imaging pyramid.
出处
《淮阴师范学院学报(哲学社会科学版)》
2004年第3期308-313,共6页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
形象金字塔
艺术性
穿越性
个象
独象
imaging pyramid
art
thru
individual image
unique image