摘要
萧红的香港文学创作对她的文学史评价相当重要。与战时的主流文学进行对照,她的创作显示出边缘的姿态,表现出对主流文学的差异性体现在三个方面:一是对战时文学主题的深层思考,真正继承鲁迅遗风,捍卫启蒙文学,而不是屈服于战时的主流,改变自己的文学写作态度;二是感情基调的差异,主流文学要求的是热的情调,而萧红却是在冷静的思考中以冷的情调,叙说自己多重身份的感同身受,并以文学的悲剧性作为支撑;三是写作手法与写作风格上体现出的独特差异性。
XIAO Hong′s creation when she was in Hong Kong is very important to the review of her literary history. Compared with the mainstream literature, her writing demonstrates a marginal stance, which is embodied in the following three aspects: the theme, the keynote and writing skills, and style.
出处
《涪陵师范学院学报》
2004年第4期15-19,共5页
JOurnal of Fuling Teachers College
关键词
萧红
边缘姿态
香港时期
战时主流文学
差异
XIAO Hong
marginal stance
the period of Hong Kong
mainstream literature during the war
disparity