摘要
莎士比亚在创作九部有关英国的历史剧后,形成一种沉重甚至焦虑的历史观,这十分自然地促使他写起悲剧来。然而从1600年起,他突然偏离可信的历史,进入一种遥远的传奇语境中,《李尔王》便是其中的一座云雾缭绕的奇峰。对这出悲剧整体意义的解释可谓言人人殊。本文尝试用文化人类学和原型批评对《李尔王》进行一番解读。
In writing nine historical plays about England, Shakespeare acquired a grave even anxious awareness of history,which naturally led him to write tragedies. Then since 1600,Shakespeare suddenly deviated from authentic history,entering into a remote legendary context with King Lear as its misty peak. What on earth is the overall meaning of this tragedy? Opinions vary greatly on this point.The present essay attempts to reinterpret King Lear by means of cultural anthropology and archetypal criticism.
出处
《内蒙古大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第3期108-115,共8页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
莎士比亚悲剧
李尔王
原型解读
Shakespearean tragedy
King Lear
Archetypal reinterpretation
