摘要
在中国传统文化中,音乐是每一个文化人的必修科目,而“八音之中,惟弦为最,而琴为首”(桓谭的《新论·琴道》)。据逯钦立辑校的《先秦汉魏晋南北朝诗》统计,其所收录的谢朓120多首诗中提及琴的多达18首,占总数的15%。在本文中,笔者将从诗歌本文出发,分析谢朓诗歌中琴曲的三种意蕴即以琴娱心、以琴示忧、以琴明性,从而挖掘中国古典文学中琴的文化意蕴。
In Chinese traditional culture, music is a required course for every intellectual; 'for the eight kinds of musical instruments, the qin (a musical instrument) is the first' . In Poems in Xianqin, Han, We, and Nanbei Dynasties compiled by Lu Qinli, there are about 120 poems by Xie Tiao, among which 18 mentioned the qin, taking up 15% , Starting from the text of poems, the article gives an analysis to three cultural implications of the qin music in Xie Tiao's poems; qin music can amuse mind, show one's sorrow and advance one's nature. From these aspects, the qin's cultural implication in Chinese ancient literature is excavated.
出处
《星海音乐学院学报》
2004年第2期17-19,共3页
Journal of Xinghai Conservatory of Music
关键词
谢胱
诗歌
琴曲
Xie Tiao
poems
qin music