摘要
汪曾祺独特的文学世界根源于他对世界独特的认识方式。汪曾祺将世界看作一个以人为本的整体,人与他者在整体的宇宙中共在,人的存在的最高价值是超越在场。汪曾祺由此而来的艺术观念从文本之内指向文本之外,他认为艺术存在于由在场到不在场的想象空间,想象是沟通在场的生活世界和不在场的意义世界的桥梁。
Wang Zengqi's unique literary world originates from his peculiar cognitive pattern toward the world.He regards the world as a people-centred whole in which man and other beings coexist.The supreme value of human existence is beyond presence.Thus Wang's artistic ideas shift from the inside of the text to the outside of it.He considers that art lies in the imaginative space from presence to absence and imagination serves as a bridge between a life world present and a meaning world absent.
出处
《东疆学刊》
2004年第3期68-75,共8页
Dongjiang Journal
关键词
汪曾祺
文学世界
哲学内蕴
Wang Zengqi,a literary world,philosophical connotation