摘要
艾青早期诗歌追求散文美,排斥音乐性;其中后期诗歌自觉追求音乐性,出现了格律化倾向,对早期诗歌的自由化和散文化之弊进行了反拨。这标志着艾青诗歌形式意识的自觉,也标志着诗人对中国诗歌音乐性传统和含蓄蕴藉的传统抒情方式的部分回归和继承。
Ai Qing's early poems pursue to prosaic beauty and discard musicality, but in his later poems, he consciously pursues musicality and metricality, and tries to rectify the abuse of free and prosaic tendency in his early ones, which indicates Ai Qing's consciousness of poetic form, and the aesthetical return partly to the tradition of musicality and connotation of classical Chinese poetry.
出处
《江苏大学学报(社会科学版)》
2004年第4期72-76,共5页
Journal of Jiangsu University(Social Science Edition)
关键词
艾青
格律化
音乐性
诗体形式
Ai Qing
metricality
musicality
poetic form