摘要
“散点透视”是中国画透视现象的代名词。“散点透视”是由西方透视学引申出来的概念。它在“焦点透视”的影响下提出 ,以“焦点透视”为参照系 ,它既不符合中国传统的观察方法与中国画的实际 ,同时也无法摆脱“焦点透视”给中国画带来的困惑。它是在文化视点上以西评中的错位套用。“散点透视”不是中国画的透视方法。
The cavalier perspective is thought to be the synonym of perspective in the traditional Chinese painting. The author considers that the cavalier perspective,which is put forth under the influence of Western focus perspective,is a conception extended from Western perspective. It is not accordance with both observation way and preality of traditional Chinese painting. Meanwhile,it can't get rid of the perplexity brought by focus perspective. It's a mechanical application of western value in appraising Chinese art. The cavalier perspective is not the perspective fits in the traditional Chinese painting at all.
出处
《运城学院学报》
2004年第1期68-69,共2页
Journal of Yuncheng University
关键词
散点透视
焦点透视
文化视点
错位
cavalier perspective
focus perspective
culture visual angle
mislocation