对“二四六分明”的重新认识

RETHINKING OF “THE SECOND,FOURTH AND SIXTH LINES WITH A STRICT TONAL PATTERN AND RHYMING SCHEME IN A EIGHT-LINE POEM WITH SEVEN CHARACTERS TO A LINE”

“二四六分明”之说与唐人近体诗的创作实际相去甚远,通过对《全唐诗》中的近体诗的考察发现,五言近体诗只有第二字的平仄“分明”,第四字的平仄可以“不论”,七言近体诗只有第二、四字的平仄“分明”,第六字的平仄可以“不论”。因此我们完全有理由将“二四六分明”改为“二、四分明”。

The idea of “the second,fourth and sixth lines with a strict tonal pattern and rhyming scheme” is quite different from the real creation work of writers in Tang Dynasty I find after study on the “modern style” poetry with five characters in Poems in Tang Dynasty only the second line with a strict level and oblique tones,and the fourth line without a strict level and obliquetones,while for “modern style” poem with seven characters,the second and the fourth line with a strict level and oblique tones,and the sixth line without a strict level and oblique tones.So we can change the idea of “the second,fourth and sixth lines with a strict tonal pattern and rhyming scheme in a Eight-line poem with seven characters to a line” into that of “the second and fourth lines with a strict tonal pattern and rhyming scheme”.