期刊文献+

生活艺术化与艺术生活化——宗炳与杜尚之比较

To Compare Zongbin with Duchamp
下载PDF
导出
摘要 宗炳与杜尚,一个代表着东方传统美学思想的古代艺术家;另一个代表着西方现代美学思想的现代艺术家。宗炳一个老年始画者,为的是“澄怀味象”、“以形媚道”;杜尚一个壮年弃画人,为的是“我最好的作品就是我的生活”。两者文化不同、时空不同、方式不同,但目的却有着惊人的相似,都是为了实现艺术与生活合二为一的人生自由理想境界。 Zongbin and Duchamp are two famous artists in the world. Zongbin was a representative ancient artist of traditional aesthetics while Duchamp, a modern artist, is a delegate of modern west aesthetics. As a person who began his pursuit of painting at an old age, Zongbin looked for the object reflected by pure heart and for pure heart. And Duchamp, who gives up painting in the prime of his life, believes that the best work is his life. The two artists are in different culture, different time and they worked in different manners though their purposes were fabulously similar——for the ideal state of mind of the combination of art and life.
作者 张玉春
出处 《新疆艺术学院学报》 2004年第2期38-40,共3页 Journal of Xinjiang Arts University
关键词 生活艺术化 艺术生活化 宗炳 杜尚 美学思想 艺术家 比较研究 Zongbin and Duchamp Chinese and Western art Compare
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部