接受美学理论与音乐美学中的几个问题

The Aesthetic Theory of Acceptance and Some Questions of Musical Aesthetics

以姚斯、伊塞尔为代表的接受美学理论确立了以读者为中心的美学思想影响颇大。据此,本文论证了在音乐艺术活动中欣赏者的决定性作用,认为读者的“理解”活动一方面具有历史性、相对性和主体性,另一方面具有能动性和创造性;阐述了由表演者的特殊性质所引起的对整个音乐艺术活动的正负两方面影响;认为整个音乐艺术活动中作曲家、音乐作品、表演者和欣赏者四位一体,缺一不可。

The aesthetic theory of acceptance, of which Jauss and Iser are represntatives, established the aesthetic idea of reader' s being central, affecting largely on the contemporary world. According to it, this essay divides the whole art activity into two parts: composing activity and accepting activity and demonstrates the lister' s vital function in the musk al activity and believes that the reader' s understanding activity is active and creative as well as historical, relative and individual, and interpretes the plus and minus influence of the performer' s speical features on the whole musical activity , and thinks that the whole musical activity is constituted of composer, composition, performer and listener who all are essential for music.