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从“荒诞”看东西方“之间性”艺术的差异 被引量:1

From "Absurd" To See the Differences Of the EAST-WEST'S "Betwixt and Between" Art
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摘要 荒诞文学、荒诞艺术在20世纪50年代后的西方文学艺术中占有重要地位,中国为何没有“荒诞”?这与西方现代社会所具备的哲学土壤和社会根源不可分割。本文从海德格尔的思想给人们的启发,通过对中西“世界性”艺术、“大地性”艺术以及“之间性”艺术的对比、表现形态差异的分析,来探讨东西方为何存在“之间性”艺术的区别。 The literature and art of 'absurd' take up important position in WEST' S literature and art since the fifties of the twentieth century. Why is there lack of 'absurd' in China? It is indivisibility with the philosophy background and the social source of WEST modern society. The article is based on the enlightenment of Heidegger' s thought. It is to discuss the reasons why there are the differences of the EAST—— WEST'S Betwixt and Between' Art by contrasting the 'World' Art, the 'Earth' Art and the 'Betwixt and Between' Art of the EAST——WEST'S and analyzing the differences of their representation form.
作者 马峰
出处 《新疆艺术学院学报》 2004年第2期66-70,共5页 Journal of Xinjiang Arts University
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参考文献2

  • 1[德]海德格尔著,成穷等.海德格尔诗学文集[M]华中师范大学出版社,1992.
  • 2[德]海德格尔(Heiderger,M·) 著,陈嘉映,王庆节.存在与时间[M]三联书店,1987.

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