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论新时期文学的世俗化审美追求 被引量:4

On the worldly aesthetic pursuit of literature in the new era
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摘要 分析新时期各流派作家的代表作品,可以发现这些不同的流派其实都有一个贯穿始终的共同的美学倾向——世俗化的审美追求。新时期文学的世俗化审美追求其实是对中国文学传统精神的世俗化一脉的续接与浮凸。世俗化在新时期文学中凸显是对审美文化的纠偏,也是国家权力、资本和民众等历史情境的必然结果。 Through the analysis of the masterpieces by writer of various schools, it can be seen that a common aesthetic tendency goes all the way through these schools, i.e. the worldly aesthetic pursuit. The pursuit of this new era is in fact the continuation and projection of the tradtional Chinese literary spirit. The foregrounding of the worldly pursuit is not only the correction of the aesthetic culture, but an inevitable result of such contextual factors as state power, capital and the public.
作者 权雅宁
出处 《宝鸡文理学院学报(社会科学版)》 2004年第3期37-41,共5页 Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词 新时期文学 世俗化 儒道互补 literature of the new era worldliness mutual complement of Confucianism and Taoism
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  • 1迈克·费瑟斯通.消费文化与后现代主义[M].南京:译林出版社,2000.139,143,125,96,178,198,69,172,156,210,204,181,13.

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