摘要
作为古代白话小说的优秀代表作 ,三言二拍在明末以后被大量改编 ,共有 86篇拟话本在后世被改编 ,出现 12 6篇改编作品 ,主要集中在明末清初。本文从忠奸斗争、白莲教运动和民族矛盾三个方面总结三言二拍嬗变过程中所体现的时事化创作倾向 ,并结合社会现实、创作主体以及实学思潮的影响 。
As the excellent representative opuses, “San Yan(三言)” and “Er Pai((二拍)” were adapted a lot after the end of Ming dynasty. It appeared 126 transmute opuses mainly in the beginning of Ming Dynasty and the end of Qing Dynasty. Combining social reality, literati' main body and influence the of actual learning ethos, I try analyzing the reasons that literati creating tendency appeared from the conflicts between allegiance and treachery, “White Lotus Religion” campaign and national contradictions.
出处
《暨南学报(哲学社会科学版)》
CSSCI
2004年第3期75-81,共7页
Jinan Journal(Philosophy and Social Sciences)
基金
广东省十五社科规划项目"三言二拍传播研究"(编号 :0 2G5 2 )