摘要
自“五四”白话文运动肇始,新的语言媒介白话文体造就了与古典文学时代迥然相异的写作者与接受者,白话文写作者与接受者的审美心理、思维方式都发生了显著的变化。这种变化意味着写作者对自身写作和某些文体价值的重新定位,同时,读者群的审美意识现代性转化使得写作者与接受者形成互动关系。这些变化促使现代白话文体写作进入到一种新的境界中。
Since the beginning of the Vermicular Movement during the May 4th Movement, vernacular Chinese, a new language media, has given rise to writers and accepters sharply contrasted with their counterparts in the days of classical literature. Great changes have taken place in the aesthetic psychology and way of thinking of the writers and accepters of vernacular Chinese, which means the writers have repositioned their own writing and some stylistic value. Meanwhile, the modernity transformation of aesthetic consciousness brings about the interaction between the authors and the accepters. These changes have driven modern vernacular Chinese literature into the state of the art.
出处
《海南大学学报(人文社会科学版)》
2004年第2期146-150,共5页
Journal of Hainan University (Humanities & Social Sciences)
关键词
现代白话
现代性
写作者
接受者
审美心理
modem vernacular Chinese
modernity
writers
accepters
aesthetic psychology