摹仿与间离——论布莱希特对亚里士多德戏剧理论的扬弃

Imitation and Separation—On Brecht’s Sublimation of Aristotle’s Theory of Drama

本文总体而言叙述了布莱希特的间离理论对于亚里士多德的摹仿理论的背离与突破,论证了古希腊的摹仿艺术所呈现出的净化说在当今时代的失真,布莱希特面对摹仿所表现出的戏剧的娱乐功能的不满,力图改造戏剧艺术,用历史唯物主义的观点提出了间离的戏剧理论,将戏剧赋予社会批判以及革命功能,让戏剧在新的时代下重新富有活力,表现出了伟大人文主义思想,把戏剧艺术与实践理论和群众史观相结合,真正让戏剧服务于人类历史的发展,实现戏剧的教育意义,最终促进改造世界的实现,为社会发展做出更大的贡献。

In general, this article describes Brecht’s theory of alienation from Aristotle’s theory of imitation, demonstrates the distortion of the theory of purification presented by the art of imitation in ancient Greece in the current era, Brecht is dissatisfied with the entertainment function of drama shown by imitation, tries to transform the dramatic art, and puts forward the theory of alienation from the perspective of Historical materialism. It endows drama with social criticism and revolutionary functions, makes drama energetic again in the new era, shows the great Humanism thought, combines drama art with practical theory and mass historical view, truly makes drama serve the development of human history, realizes the educational significance of drama, ultimately promotes the realization of transforming the world, and makes greater contributions to social development.