摘要
马一浮作为新儒学的代表,以“六艺论”的思想发展了自己的儒家思想学说。而“六艺论”不单单体现了他的认识论体系,更是表现出一种哲学方法论的跃进,建构出“六艺统摄一切学术”的理论基础,继而融贯儒释道三家学识,发展了心性与理气间的逻辑路径,体现“六艺论”在察物尽知和践形尽性的重要作用。在此过程中,匡正对传统儒学精神价值的认识,推动了在新时代的传统文化创新,实现了儒家学者的意识自觉。
Ma Yifu, as a representative of New Confucianism, developed his own Confucian theory based on the “Six Arts Theory”. The “Six Arts Theory” not only reflects his epistemological system, but also represents a leap forward in Philosophical methodology, which constructs the theoretical basis of “Six Arts govern all learning”, and then integrates the knowledge of Confucianism, Buddhism and Taoism, develops the logical path between mind and qi, and reflects the important role of the “Six Arts Theory” in understanding everything and practicing everything. In this process, rectifying the understanding of the spiritual value of traditional Confucianism has promoted the innovation of traditional culture in the new era and achieved the conscious consciousness of Confucian scholars.
出处
《哲学进展》
2024年第4期673-677,共5页
Advances in Philosophy