摘要
本文依据毗邻轴与系谱轴的符号学分类研究方法,对50届奥斯卡金像奖最佳影片进行了三个不同角度的艺术分析,将毗邻轴设定为五组时间部分,将系谱轴依次设定为影片颜色基调、海报景别、剧本创作三个方向。分析出偏暖色调可以涵盖和诠释大部分的影片情绪表达,电影基调大多为内涵情感服务而非内容和剧本;电影海报的形式在跟随时代发展和大众审美的更新而更新,灵巧而小众的景别是趋势;改编剧本大多取材于文学戏剧名作等,原创剧本大多取材于社会事件和小人物情感,有张力的故事主线都构建在“以人为本”创作内核中。
Based on the semiotic classification of adjacent axis and pedigree axis, this paper makes an artistic analysis of the best films of the 50th Academy Awards from three different angles. The adjacent axis is set as five groups of time parts, and the pedigree axis is set as three directions of film color tone, poster scenery and script creation in turn. It is concluded that warmer tones can cover and interpret most of the emotional expression of films, and the tone of films is mostly emotional service rather than content and script;the form of movie posters is updated with the development of the times and the updating of popular aesthetics;the smart and small-scale scenes are the trend;the adapted scripts are mostly based on literary and dramatic masterpieces, and the original scripts are mostly based on social events and small-scale ones. Characters’ emotions and tension stories are all constructed in the core of “people-oriented” creation.
出处
《艺术研究快报》
2019年第1期5-10,共6页
Art Research Letters
