博物馆中潮州木雕神器的叙事性场景解析

An Analysis of the Narrative Scenes of Chaozhou Woodcarving Artifacts in the Museum

博物馆陈列展示在叙事学的基础上借用电影拍摄手法,将叙事以场景的形式与观众展开对话,将影视蒙太奇手法引入其中。对博物馆中潮州木雕神器的叙事性场景的空间性、文化性进行阐述,通过平行蒙太奇、对比蒙太奇和隐喻蒙太奇这三种手法,解析当下博物馆中潮州木雕神器的信息交流模式。

On the basis of narrates, the museum adopts the film shooting technique to communicate with the audience in the form of scenes, and introduces the film and television montage technique into it. This paper expounds the spatial and cultural features of the narrative scenes of the Chaozhou wooden artifacts in the museum, and analyzes the information communication mode of the Chaozhou wooden artifacts in the museum by means of parallel montage, comparative montage and metaphorical montage.