肉体、身份与人性:基于梅洛·庞蒂身体哲学对《人潮汹涌》的身体叙事分析

Body, Identity and Human Nature: An Analysis of Body Narrative in “Endgame” Based on Merleau Ponty’s Body Philosophy

《人潮汹涌》以身体叙事为基石,杂糅身份认同的思考,将小人物的身份找寻历程脉络清晰呈现,达到对观众现实中对于身份迷惘、生存意义的抚慰与解答。本文将从肉身、身份、人性三重身体哲学的维度出发,分析影片中两位主人公身份互换、自我认同、自我身份确认的过程及意义。

“Endgame” takes body narrative as the cornerstone, mixed with the thinking of identity, and clearly presents the context of the little people’s identity search process, so as to comfort and answer the audience’s reality in the confusion of identity and the meaning of existence. This article will start from the dimensions of the triple body philosophy of flesh, identity, and human nature, and analyze the process and meaning of the identity exchange, self-identification, and self-identification of the two protagonists in the film.