摘要
影片《花束般的恋爱》从恋爱关系中的双视角切入,记录主人公娟与麦从相识、相恋到分手的全过程,以平淡述说的节奏和细腻的心理独白还原了现实生活中许多恋人所共同经历过的心理情感变化。其展现了独有的分手文化,即恋人经历“相知相爱–矛盾激化–放弃争吵–平静分手–再次出发”等每个阶段的心路变化和自我反思,来正视彼此的正向过程。本文将运用拉康的镜像理论,对影片中娟与麦的人物形象进行镜像对比与分析,讨论在爱情镜像折射中两位主人公如何在他者与自我凝视下,探索属于自己的爱情道路,回归起点,并步履不停地继续前进。
The film Bouquet of Love cuts in from the double perspective of the love relationship, recording the whole process of the protagonist Juan and Mai from acquaintance, falling in love to break up the whole process, with the rhythm of plain narration and delicate psychological monologue to restore the psychological and emotional changes experienced by many lovers in real life. It shows a unique break-up culture, that is, lovers experience “know each other and fall in love-conflict intensified-abandon quarrel-quiet break-start again” and other stages of mental changes and self-reflection, to face each other’s positive process. This article will use Lacan’s mirror theory to compare and analyze the characters of Juan and Mai in the film, and discuss how the two protagonists in the mirror refraction of love explore their own love path to return to the starting point and keep moving forward under the gaze of the other and self.
出处
《艺术研究快报》
2023年第1期40-44,共5页
Art Research Letters