摘要
电影《花束般的恋爱》是土井裕泰执导的一部爱情电影,于2021年在日本首映,2022年在中国大陆上映。该片以现代东京为背景,讲述八谷娟与山音麦因为错过同一末班车相遇,由此展开的爱情故事。影片以日记形式架构故事发展,大量人物内心独白展现情感变化。导演通过一对恋人五年生活变化的细腻描绘,让观众产生强烈的情感共鸣,从千篇一律的爱情电影中脱颖而出。本文从拉康的镜像理论出发,透视主人公寻求镜像中的自我、自我主体构建、自我和解,从而完成人物镜像重构的过程。
The movie Bouquet of Love is a romantic film directed by Yuyasu Doi, which will be released in Japan in 2021 and in China's Mainland in 2022. The film is set in modern Tokyo and tells the love story of Yagoya Juan and Yamayumi Mai, who miss the same last train to meet. The film structure the story in the form of diary development, a large number of characters inner monologues to show emotional changes. The director stands out from the stereotypical love movies by depicting the changes in the lives of two lovers over the past five years and creating strong emotional resonance among the audience. Based on Lacan’s mirror image theory, this paper puts forward a perspective of the protagonist’s self-seeking, self-subject construction and self-reconciliation in the mirror image, so as to complete the reconstruction process of the character’s mirror image.
出处
《艺术研究快报》
2023年第3期203-207,共5页
Art Research Letters