摘要
2021年上映的日本电影《花束般的恋爱》是编剧坂元裕二继《东京爱情故事》后创作出的又一风评极佳的爱情电影。影片透露出坂元裕二对于爱情的特别思考,突破了戏剧化情节,透视出一种日本根深蒂固的传统文学理念——“物哀”。《花束般的恋爱》运用日常化的影像表达传递出深刻的物哀美学意义,本文通过对《花束般的恋爱》的多角度剖析来探究片中呈现的“物哀美学”表达。
The Japanese film Bouquet like Love released in 2021 is another highly rated love film created by screenwriter Yuji Sakamoto after Tokyo Love Story. The film reveals Yuji Sakamoto’s special thoughts on love, breaking through the dramatic plot and revealing a deeply rooted traditional Japanese literary concept—“mourning for things”. The film Bouquet like Love conveys a profound aesthetic significance of material sorrow through the use of everyday imagery. This article explores the expression of “material sorrow aesthetics” presented in the film through a multi perspective analysis of Bouquet like Love.
出处
《艺术研究快报》
2023年第3期246-250,共5页
Art Research Letters
